Jumat, 29 Maret 2013

[A944.Ebook] PDF Ebook Gate of the Sun, by Elias Khoury

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Gate of the Sun, by Elias Khoury

Gate of the Sun is the first magnum opus of the Palestinian saga. After their country is torn apart in 1948, two men remain alone in a deserted makeshift hospital in the Shatila camp on the outskirts of Beirut. We enter a vast world of displacement, fear, and tenuous hope. Khalil holds vigil at the bedside of his patient and spiritual father, a storied leader of the Palestinian resistance who has slipped into a coma. As Khalil attempts to revive Yunes, he begins a story, which branches into many. Stories of the people expelled from their villages in Galilee, of the massacres that followed, of the extraordinary inner strength of those who survived, and of love. Khalil—like Elias Khoury—is a truth collector, trying to make sense of the fragments and various versions of stories that have been told to him. His voice is intimate and direct, his memories are vivid, his humanity radiates from every page. Khalil lets his mind wander through time, from village to village, from one astonishing soul to another, and takes us with him. Gate of the Sun is a Palestinian Odyssey. Beautifully weaving together haunting stories of survival and loss, love and devastation, memory and dream, Khoury humanizes the complex Palestinian struggle as he brings to life the story of an entire people.

  • Sales Rank: #1410353 in Books
  • Published on: 2016-11-08
  • Released on: 2016-11-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.60" w x 6.10" l, .81 pounds
  • Binding: Paperback
  • 552 pages

Review
List Muse's Top 100 Novels of All Time, #68

"For Khoury, those who live their lives enshrouded in death and political instability deserve a voice, and like few before him, he takes up their cause with a fearlessness that we can only marvel at, hoping that maybe in the near future, books like Khoury’s won’t have to be written." — Keenan McCracken, Music and Literature

"Because the world is the way it is, because whole groups of people can be maligned, neglected, ignored, for too many years, we need the voice of Elias Khoury—detailed, exquisite, humane—more than ever. Read him. Without fail, read him." —Naomi Shihab

"Nye Elias Khoury . . . is an artist giving voice to rooted exiles and trapped refugees, to dissolving boundaries and changing identities, to radical demands and new languages. From this perspective Khoury’s work bids Mahfouz an inevitable and yet profoundly respectful farewell." —Edward Said

"There has been powerful fiction about Palestinians and by Palestinians, but few have held to the light the myths, tales and rumors of both Israel and the Arabs with such discerning compassion. In Humphrey Davies' sparely poetic translation, Gate of the Sunis an imposingly rich and realistic novel, a genuine masterwork." —New York Times Book Review

"In Gate of the Sun a character dreams of writing a ‘book without a beginning or end...an epic of the Palestinian people,’ based on the stories of every village, and starting from the ‘great expulsion of 1948.’ Elias Khoury’s monumental novel is in a sense that groundbreaking book." —The Guardian (UK)

About the Author
Elias Khoury, born in Beirut, is the author of thirteen novels, four volumes of literary criticism, and three plays. He was awarded the Palestine Prize for Gate of the Sun, which was named Best Book of the Year by Le Monde Diplomatique, The Christian Science Monitor, and The San Francisco Chronicle, and a Notable Book by The New York Times. Khoury’s Yalo, White Masks, Little Mountain, The Journey of Little Gandhi, and City Gates are also available in English. Khoury is a Global Distinguished Professor of Middle Eastern and Arabic Studies at New York University. As Though She Were Sleeping received France’s inaugural Arabic Novel Prize.

Humphrey Davies’ translations include Naguib Mahfouz’s Thebes at War (American University in Cairo Press, Anchor Books) and Alaa al-Aswany’s The Yacoubian Building (AUC Press). He has lived throughout the Middle East and is currently based in Cairo.

Excerpt. © Reprinted by permission. All rights reserved.
Umm Hassan is dead. I saw everyone racing through the alleys of the camp and heard the sound of weeping. Everyone was spilling out of their houses, bent over to catch their tears, running. Nabilah, Mahmoud al-Qasemi’s wife, our mother, was dead. We called her mother because everyone born in the Shatila camp fell from their mother’s guts into her hands. I too had fallen into her hands, and I too ran the day she died.

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Kamis, 28 Maret 2013

[Q338.Ebook] Free Ebook Kahuna La'au Lapa'au the Practice of Hawaiian Medicine, by June Gutmanis

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Kahuna La'au Lapa'au the Practice of Hawaiian Medicine, by June Gutmanis

  • Sales Rank: #6654445 in Books
  • Published on: 1985
  • Binding: Paperback

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Sabtu, 23 Maret 2013

[H512.Ebook] Download Ebook Examination Paediatrics, by Wayne Harris

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Examination Paediatrics, by Wayne Harris

A practical study guide to help candidates pass clinical examinations in paediatrics, particularly at postgraduate level

Examination Paediatrics, 4th Edition is written for candidates preparing for the Fellowship Examination of the Royal Australasian College of Physicians (FRACP). This includes both Australian and New Zealand candidates as well as candidates taking the Australian examination in other countries.

This invaluable paediatric study guide is also aimed at candidates preparing for the Membership Examination for the Royal College of Paediatrics and Child Health (UK) (Part II) (MRCPCH).

Additionally, Examination Paediatrics will be a useful medical reference for all undergraduate and postgraduate students preparing for any paediatric exam with a clinical component – including those with an OSCE format.

The new sections and expanded text in this fourth edition will assist General Practitioners, paediatric residents, house officers, registrars and doctors sitting the Australian Medical Council examination.

Examination Paediatrics, 4th Edition contains ample information on history-taking, examination procedure, relevant investigations, memory aids, lists and mnemonics, and management for the majority of chronic paediatric clinical problems seen in hospital-based practice.

This new edition retains a key feature popular in previous editions of Examination Paediatrics – a detailed explanation of the attitudinal skills, body language, and motivation necessary to complete clinical examinations successfully.



• discussion of new mini CEX (Clinical Evaluation Exercises) and new short case introduction
• expanded cardiology, endocrinology and neurology sections with new diagrams
• a new section on Williams syndrome
• expanded sections on Marfan syndrome and Noonan syndrome
• a new long case on obstructive sleep apnoea
• a new short case on virilisation

  • Sales Rank: #1114372 in eBooks
  • Published on: 2011-08-17
  • Released on: 2011-08-17
  • Format: Kindle eBook

About the Author
Lisa Shanahan is the author of the Sweetie May series and "Bear and Chook," Wayne Harris is the designer and illustrator of more than 20 picture books, including "House of Narcissus,"

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Four Stars
By nandipa
Love it...its great. Just wish it had more case examples.

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Excellent prep book

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Five Stars
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Good book

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Rabu, 13 Maret 2013

[Z679.Ebook] Download Ebook Qualitative Research in Education: A User's Guide Paperback March 23, 2006, by Marilyn V. Lichtman

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  • Published on: 1605
  • Binding: Paperback

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Selasa, 12 Maret 2013

[M560.Ebook] Download Ebook The Combat History of the 21st Panzer Division 1943-45, by Werner Kortenhaus

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The Combat History of the 21st Panzer Division 1943-45, by Werner Kortenhaus

For years, one of the most essential sources for study of the Normandy invasion was known only to a select few and nearly unobtainable even to those who knew of its existence. It has never before been translated. None of the major English language histories of the Normandy Invasion refer to it, even though it is the history of the only German armored division that was in place in the Caen area at the moment of the invasion. It reveals key facts that are missing elsewhere. At long last, Werner Kortenhaus' history of the 21st Panzer Division has been published in English. Kortenhaus's account of the division's subsequent commitment, in the Lorraine - Saar Region - Alsace area provides intriguing detail on this little known sector as the southern wing of Patton's 3rd Army strove for the Upper Rhine area of Germany. The last section follows the division after its hasty transfer to the Oder Front, facing the final Russian onslaught on Berlin.

In revising and updating his account, originally released in two massive typed volumes, Die Schlalcht um Caen, 1944, Caumont, Falaise Seine, der Einsatz der 21. Panzer Division" in 1989 and "Lothringen Elsaß, der Ostfront, der Einsatz der 21. Panzer Division" in 1990, Werner Kortenhaus has exhaustively researched all available sources in German, French and English to supplement his own experiences and those of his fellows and the many individuals whom he interviewed. The result is a seamless account of the Normandy invasion in the British sector from the German viewpoint that sheds new light on many controversial issues. The account continues, following the division and surrounding events during the retreat to the Seine and the division's later commitment in Alsace - Lorraine and, finally, on the Oder Front against the Soviet Union, and its eventual demise in the horrors of the Halbe pocket.

The account is not restricted to the history of the 21st Panzer Division, but includes detailed analysis and exposition of actions of adjoining divisions and of the larger picture, from the German viewpoint.

Elements of the 21st Panzer Division were committed separately prior to the Normandy invasion on both sides of the River Orne, in the vicinity of Caen. Although the 21st Panzer Division was the only German armored division stationed in the Caen area, it stood by in frustration with engines running for hours awaiting orders for action. Even then it was handicapped by its prior dispersed commitment. Elements of the 21st Panzer Division fought against the British airborne force at Pegasus Bridge, while other elements launched a counterattack that almost reached Sword Beach. The division's Kampfgruppe von Luck was a major part of the German defense east of the Orne. North of Caen, to the west of the Orne, along with the 12th SS-Hitler Jugend Panzer Division the 21st Panzer Division blocked the unrelenting British frontal attacks on Caen that culminated in "Operation Charnwood. The division subsequently played a major role in halting the British assault east of Caen, "Operation Goodwood", short of its final objectives. The division was then shifted westward where remnants of the division then defended against Montgomery's "Operation Bluecoat" that resulted in the final British Breakthrough on their western flank as the Americans broke through to Avranche and beyond. As the German counterattack at Mortain failed and allied forces moved toward encircling the German Fifth Panzer Army and Seventh Army , the 21st Panzer Division was shifted again and attached to the I SS-Panzer Korps. Its two combat groups were separated by the advance of the II Canadian Corps, Kampfgruppe Rauch and elements of Panzer Aufklärungs Abteilung 21 ending up inside the Falaise Pocket, Kampfgruppe von Luck on the outside.

Following the retreat to the Seine, the reconstituted, but much depleted, 21st Panzer Division then fought in Lorraine against Patton's 3rd Army. As one of the few armored divisions not included in Hitler's build up of forces for the impending Ardennes Offensive, the division became a "fire brigade", shifted from one hot spot to another, constantly counter attacking as the German front was forced back from Lorraine into the Saar region and then into Alsace.

Kortenhaus presents an unusual and detailed insight into the "poor man"s war" against the southern arm of Patton's thrust through the Saar region to the upper Rhine, as a few hard-pressed remnant formations tried to "hold the line" while the bulk of the remaining German forces were massed and reconstituted for Hitler's last great offensive in the Ardennes.

As the Ardennes operation failed, the 21st Panzer Division took part in "Operation Nordwind" and fought on in Alsace, until the Russian assault over the Vistula shattered the frail German Eastern Front. Within a matter of weeks the Russian forces reached the Oder and broke into East Prussia and Silesia. On 31 January 1945 Hitler ordered that the 21st Panzer Division be pulled out of Alsace and dispatched in extreme haste to the Eastern Front in the Küstrin area.

A mere shadow of even what it was when it entered the fighting in Lorraine, the division established contact with the garrison of "Fortress Küstrin" before it was, again, hastily shifted south into northern Silesia in the Sagan - Bunzlau area on the Lausitzer Neiße River. After initial eventful fighting the division fell back to the west bank of the Lausitzer Neiße River, where it dug in. As the Russian offensive focused on other sectors, the defensive line along the Lausitzer Neiße River was successfully held by the 4th Panzer Armee until mid-February 1945. / While the Russians concentrated forces for their last offensive, the "Battle of Berlin", the Oder Front remained relatively quiet, except on the boundary between the 4th Panzer Armee and 17th Armee, where the "Battle for Lauban" developed as the last major offensive of the German Army. A combat group and command staff from the 21st Panzer Division took part in the offensive, which, while successful, faded into insignificance in comparison with the magnitude of Russian forces.

Faced with the concentration of the Soviet forces for the final offensive on Berlin , the German Supreme Command repositioned forces, transferring the 21st Panzer Division to the Weißwasser - Spremberg area, on the left wing of the 4th Panzer Armee, of Heeresgruppe Mitte, initially as Armee reserve. The division was ordered to dig in in the "Mathilda" Position, in the German second line of defense. Marshal Koniev's 1st Ukrainian Front launched its final offensive as the last elements of the division arrived. The division was quickly drawn into the fighting. Fighting in desperate defense, the division fell back on Cottbus. The Russian breakthrough in the area between Spremberg and Cottbus split the German V Armee Korps , including the 21st Panzer Division, off from the left wing of the 4th Panzer Armee/Heeresgruppe Mitte , forcing it to the north, into the sector of Heeresgruppe Weichsel, where it was attached to the German 9th Armee.

The division met its end as the 9th Armee was cut off and destroyed in the Halbe Pocket, while Russian forces fought within the city of Berlin.

Helion's English edition includes a significant number of rare photographs and many maps. Werner Kortenhaus' study represents a significant contribution to English language material available regarding a Heer panzer division, besides its extensive coverage of German armoured operations in Normandy, Lorraine, Alsace and elsewhere.

REVIEWS

“ … The author has drafted an eminently accessible book replete with anecdotal example that presents a more robust and full narrative … Helion has provided a separate map book with this publication which is outstanding, clearly laying out the progress of the Division. Additionally, the production value is extremely high with an easily readable text … The author, with this translation, has provided a wide audience with an outstanding operational counterpoint to the narratives of the Allied sources of this period. An articulate and engaging read, I strongly recommend this book.” War History Online

  • Sales Rank: #1371055 in Books
  • Published on: 1618
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.26" h x 6.09" w x 9.82" l, .0 pounds
  • Binding: Hardcover
  • 384 pages

Most helpful customer reviews

10 of 10 people found the following review helpful.
Very expensive, but serious military historians should find it worth the money
By Writing Historian
I hesitated to buy this book for several months because it costs a lot and I have not found a review that would serve to assure me the expenditure would be worthwhile. That said, Amazon does have an easy return policy. In a fit of post-holiday optimism, I decided to take the plunge because, after all, English language accounts of German units that fought in NW Europe are somewhat rare.

This book is a translation of a previously published history by a former member of the 21st Panzer Division. What I did not realize is that this particular volume/version is a distillation of several MASSIVE volumes. In essence, you get the "best" of perhaps an overly detailed history of the division.

How can the buyer be assured that he/she is getting the most pertinent parts of multiple volumes? I cannot answer that in all certainty, but I did notice right away that the translator also served as the primary editor. You will find numerous lengthy explanations or clarifications of material included in the German language volumes. However, the editorial work/translation is not perfect as there are some little mistakes, like when the editor didn't catch (or made the mistake himself) early in the volume where it states that Generalleutnant Von Schlieben was the commander of the 708th Infantry Division in Normandy (it was actually the 709th - the other division was stationed in southern France).

What does the history cover? Normandy both before and after the Allied invasion on 6 June. 2.) The German retreat across France and subsequent defense of Alsace Lorraine (21st Panzer Division was transferred from 7th Army to 1st Army - which retreated northward from the Mediterranean coast to defend south of Aachen/Siegfried line). 3) The division's transfer to 9th Army which is tasked with defending East Prussia/Berlin against the Russians. Thus you can read about the division's operations against British, American, and Russian opponents.

Section One looks at the reconstitution of the 21st Panzer Division after the German defeat in Tunisia. Section Two, comprised of 22 chapters, covers the Normandy campaign thru the retreat to the Seine, Section Three covers the battles in Alsace Lorraine in fifteen chapters, and Section Four examines the fighting in the Halbe Pocket in nineteen chapters. Chapters vary in length from two to thirty or so pages.

The book includes a number of photographs and separate detachable section with color maps.

As unit histories go, this one ranks among the best in terms of objectivity. When the 21st Panzer does well, the authors point that out. When they get their butts kicked, the author admits it. Kortenhaus clearly did a lot of research into the British and American perspectives, not so much for the Russians however. There are a very few minor errors, such as identifying Company C of the US 315th Infantry as 3d Company, 315th Infantry (probably because the Germans number their companies in an infantry regiment).

I wish this book had been a bit less expensive, but it is clearly a valuable addition to any serious historian's collection. I would rate it almost on par with the English language version of the 116th Panzer Division history by Guderian or Hubert Meyer's history of the 12th SS Panzer Division.

1 of 4 people found the following review helpful.
Personally I'd recommend buying a much cheaper used copy
By David L Haimerl
To me the editorial process in bringing this work was rushed. The copy I purchased was plagued with errors. I stopped reading it from cover to cover due to this. Personally I'd recommend buying a much cheaper used copy.

2 of 10 people found the following review helpful.
Five Stars
By dave
It is a great history of this famous division during the last year of World War II.

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Senin, 11 Maret 2013

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In this book, veteran photographer Stan Trampe shows you how to produce outstanding black & white nude portraits using basic equipment and a simple lighting approach—both in the studio and on location. You’ll get great insight into what it takes to develop a trusting relationship with models that will facilitate an eagerness for them to embrace—and even improve upon—your creative concepts.

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  • Sales Rank: #785122 in Books
  • Published on: 2015-06-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.80" h x .30" w x 7.40" l, .0 pounds
  • Binding: Paperback
  • 128 pages

About the Author
Stan Trampe lived most of his life in St. Louis, MO, moving to San Diego in 2012. In 1987, at the age of 56, he became inspired with serious black and white fine-art nude photography after a week-long workshop with Robert Farber in Northern California. He began working with digital imaging in 2000, and within a year, abandoned his darkroom and converted to all digital capture and production. He continues to photograph almost exclusively in black & white, including infrared. Stan is a self-taught photographer, and gained valuable insights during several workshops with artists Joyce Tennyson, Ken Marcus, Jerry Uelsmann, Michael Kenna and Sally Mann (all exceptional darkroom printers). Stan’s work is entirely fine-art nude and a few portraits.

His passion to create fine-art nude images continues to this day and at 83 years young, he hopes that it will continue for many more years. His models are his inspiration and he continues to photograph a minimum of two sessions per week. Stan’s preference is to photograph one model for more than one year; doing this builds a remarkable rapport that improves the work. The model and Stan are frequently co-creators; as a group he finds that models are very creative.

Stan admits to sometimes being overwhelmed by what he sees: a model at a stream in the early morning, fog lifting, her form touched by the first muted rays of sunlight, or in his studio with touching expressions of light. Stan quips that his models forgive the occasional tears that he sheds.

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3 of 3 people found the following review helpful.
Lovely and Endearing
By David Dellman
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3 of 3 people found the following review helpful.
Like 'Playboy' you can buy this for the articles and ...
By Yucel Yalim
Stan's book is a feast for the eyes. His nudes in black and white are stunning. Like 'Playboy' you can buy this for the articles and enjoy the pix. I've been around the bend a few times with photography and Stan still taught me a few tricks. If you like beautiful black and white nudes and like learning a thing or two about how to create your own, 'Fine Art Nudes' may belong on your book shelf as well.

2 of 2 people found the following review helpful.
A thorough Examination of Fine Art Nudes
By eric
Mr. Trampe not provides stunning figure nudes, but also useful information on lighting, poses, and every aspects of fine art nude photography you would need to know. Highly recommend anyone interested in fine art nudes get this book.

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THE SECRET TRIPLET

Find Heartskeep. Trust no one. Run! With her dying father's words ringing in her ears and a gunman at her heels, Alexis Ryder fled to the deserted mansion called Heartskeep and learned the shocking truth—she wasn't Alexis Ryder, but an identical-triplet heiress, a secret someone would kill to keep. Desperate to learn more, she assumed the identity of a sister she'd never met…and landed in the strong arms of the law.

Officer Wyatt Crossley's warm brown eyes and sexy smile promised safety—and tempted Alexis to forget that Wyatt thought she was someone else. Avoiding the rugged lawman would be prudent, but in a world gone mad, prudence was no match for a swirling maelstrom of forbidden desire….

  • Sales Rank: #736249 in eBooks
  • Published on: 2012-03-15
  • Released on: 2012-03-15
  • Format: Kindle eBook

About the Author
Born on Easter Sunday, the oldest of eight children, Dani Sinclair began her official writing career when her sister asked her to write a romance novel. A latecomer to the genre, she combines her love for romance with her need to write suspense and humour.Her first published novel, MYSTERY BABY, debuted in May 1996. Since that time she's sold fifteen books to Harlequin Intrigue, one to Harlequin Temptation, and two Special Projects. In addition, she's written a daily on-line serial for Harlequin's Web page. Her third Intrigue novel, BETTER WATCH OUT, was a RITA finalist in the Romantic Suspense category. In March 2001, Romantic Times nominated Dani for a Career Achievement award in the Series Romantic Suspense category. They also nominated her book, THE SPECIALIST, for the Reviewers' Choice Best Harlequin Intrigue of 2000. Dani has been profiled in The Journal Newspaper in West Virginia, Romantic Times Magazine, Gothic Journal, and Harlequin's Reader Service Heart to Heart overseas. She's spoken to several organisations as well as various writers' groups, and has been a speaker for the Friends of the Library organisation in both Maryland and Ohio.Dani belongs to Romance Writers of America and Washington Romance Writers. She resides outside Washington DC, a place she finds to be a wonderful source of both intrigue and comedy.

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5 of 5 people found the following review helpful.
The 3rd book in the series...
By A Customer
This is the third book in the Heartskeep series. Alexis Ryder has just found, from her dying father, that she was adopted illegally. She sets off with a bloody suitcase full of money to find her real family. She meets and falls for Wyatt, a cop in the town where her family is. He mistakes her for one of her sisters and she lets him believe the lie so that she can find out more about her family and the reason why there are people after her.
I enjoyed this book, especially the romance between the characters. The final book in the series usually ties it all up nicely, but I thought that in this case it was a little too pat. It wasn't that hard to figure out who did it, and all was forgiven a little too easily. A good summer read.

0 of 0 people found the following review helpful.
Better than I expected
By Stuart Aken
This is a Mills and Boon Silhouette, ‘Intrigue’ romance. That probably means a lot to those who read these books regularly. As a writer, and a bloke, I read this one to see whether it was a genre I could write. So, bear all that in mind as you read this review.

It is, of course, a love story. But it’s also a lot more. The element of crime is strong, as are the elements of family and social injustice. A lot of readers condemn these books out of hand, assuming they’re poorly written and formulaic. I found this to be neither of those things.

There is suspense, mystery, tension, both sexual and general, and there is, of course, a burgeoning romance. It’s this final element that’s formulaic. The reader understands that the two main protagonists are destined for each other and recognises the barriers placed for them to cross in order to arrive at the essential happy ending (no, I don’t think that’s a spoiler: a romance of this nature has a happy ending; they all do).

As for the writing? It’s tense where it should be, description isn’t overdone, the action scenes are well handled and the relationships, complex and multi-faceted, are presented cleverly. I found the plot a little over-cooked and the author seemed to have found herself in something of a maze, if the denouement narrative is a guide. The ending reminded me a bit of Agatha Christie’s Poirot and his habit of describing his method of detection to the gathered guilty and innocent.

For me, character is the most important factor in a book. The individuals who people these pages are well drawn and various. That they can be slotted into various stereotypes is inevitable, given the narrow guidelines determined by the publishers, but that doesn’t prevent these particular players from being real people. I enjoyed the strong female lead and the object of her desire fitted in well with her hopes with enough potential flaws to make the reader wonder just enough. The minor players were also well constructed.

There is inevitably, given the specifics set by the publishers, rather more telling than showing than is good for the book. And some of the twists and turns seem to have been inserted ‘on the hoof’ rather than planned; but I can hardly complain at that, since I do it all the time myself.

But, in spite of its intended female readership and the slant it must take for such an audience, I enjoyed the read and found it largely satisfying. For those who care, there remains an unanswered question, of course. The answer is that I have already written a book containing much of what we find here, but I couldn’t write for this specific genre. It’s too confined and controlled for the way I write. But that’s not a reflection of the ability of this author; she’s worked within the constraints admirably and turned out a pretty good read that, I imagine, will sit very happily with those who more regularly read this type of fiction.

So, if you enjoy your romance with intrigue, mystery and some threat facing the heroine, you’ll get good value and plenty of entertainment from this one. Give it a go.

1 of 1 people found the following review helpful.
Great Read
By Paige Turner
A must read Intrigue. Dani SInclair is a very talented writer with strong plots and memorable characters!

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Minggu, 03 Maret 2013

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Jumat, 01 Maret 2013

[F205.Ebook] Download PDF The Art of Computer Programming, Volume 1, Fascicle 1: MMIX -- A RISC Computer for the New Millennium, by Donald E. Knuth

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The Art of Computer Programming, Volume 1, Fascicle 1: MMIX -- A RISC Computer for the New Millennium, by Donald E. Knuth

Finally, after a wait of more than thirty-five years, the first part of Volume 4 is at last ready for publication. Check out the boxed set that brings together Volumes 1 - 4A in one elegant case, and offers the purchaser a $50 discount off the price of buying the four volumes individually.

 

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Art of Computer Programming, Volume 1, Fascicle 1, The: MMIX -- A RISC Computer for the New Millennium

 

This multivolume work on the analysis of algorithms has long been recognized as the definitive description of classical computer science. The three complete volumes published to date already comprise a unique and invaluable resource in programming theory and practice. Countless readers have spoken about the profound personal influence of Knuth's writings. Scientists have marveled at the beauty and elegance of his analysis, while practicing programmers have successfully applied his "cookbook" solutions to their day-to-day problems. All have admired Knuth for the breadth, clarity, accuracy, and good humor found in his books.

To begin the fourth and later volumes of the set, and to update parts of the existing three, Knuth has created a series of small books called fascicles, which will be published t regular intervals. Each fascicle will encompass a section or more of wholly new or evised material. Ultimately, the content of these fascicles will be rolled up into the comprehensive, final versions of each volume, and the enormous undertaking that began in 1962 will be complete.

 

Volume 1, Fascicle 1

This first fascicle updates The Art of Computer Programming, Volume 1, Third Edition: Fundamental Algorithms, and ultimately will become part of the fourth edition of that book. Specifically, it provides a programmer's introduction to the long-awaited MMIX, a RISC-based computer that replaces the original MIX, and describes the MMIX assembly language. The fascicle also presents new material on subroutines, coroutines, and interpretive routines.

 

Ebook (PDF version) produced by Mathematical Sciences Publishers (MSP),http://msp.org



  • Sales Rank: #491911 in Books
  • Published on: 2005-02-24
  • Released on: 2005-02-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x .60" w x 6.40" l, .57 pounds
  • Binding: Paperback
  • 144 pages

From the Back Cover

This multivolume work on the analysis of algorithms has long been recognized as the definitive description of classical computer science. The three complete volumes published to date already comprise a unique and invaluable resource in programming theory and practice. Countless readers have spoken about the profound personal influence of Knuth's writings. Scientists have marveled at the beauty and elegance of his analysis, while practicing programmers have successfully applied his "cookbook" solutions to their day-to-day problems. All have admired Knuth for the breadth, clarity, accuracy, and good humor found in his books.

To begin the fourth and later volumes of the set, and to update parts of the existing three, Knuth has created a series of small books called fascicles, which will be published t regular intervals. Each fascicle will encompass a section or more of wholly new or evised material. Ultimately, the content of these fascicles will be rolled up into the comprehensive, final versions of each volume, and the enormous undertaking that began in 1962 will be complete.Volume 1, Fascicle 1

This first fascicle updates "The Art of Computer Programming, Volume 1, Third Edition: Fundamental Algorithms," and ultimately will become part of the fourth edition of that book. Specifically, it provides a programmer's introduction to the long-awaited MMIX, a RISC-based computer that replaces the original MIX, and describes the MMIX assembly language. The fascicle also presents new material on subroutines, coroutines, and interpretive routines.

About the Author

Donald E. Knuth is known throughout the world for his pioneering work on algorithms and programming techniques, for his invention of the Tex and Metafont systems for computer typesetting, and for his prolific and influential writing. Professor Emeritus of The Art of Computer Programming at Stanford University, he currently devotes full time to the completion of these fascicles and the seven volumes to which they belong.



Excerpt. © Reprinted by permission. All rights reserved.

fas_ci_cle /fas_ ek el / n . . . 1: a small bundle . . . an inflorescence consisting of a compacted cyme less capitate than a glomerule. . . 2: one of the divisions of a book published in parts

--P. B. Gove, Webster's Third New International Dictionary (1961)

This is the first of a series of updates that I plan to make available at regular intervals as I continue working toward the ultimate editions of The Art of Computer Programming.

I was inspired to prepare fascicles like this by the example of Charles Dickens, who issued his novels in serial form; he published a dozen installments of Oliver Twist before having any idea what would become of Bill Sikes! I was thinking also of James Murray, who began to publish 350-page portions of the Oxford English Dictionary in 1884, finishing the letter B in 1888 and the letter C in 1895. (Murray died in 1915 while working on the letter T; my task is, fortunately, much simpler than his.)

Unlike Dickens and Murray, I have computers to help me edit the material, so that I can easily make changes before putting everything together in its final form. Although I'm trying my best to write comprehensive accounts that need no further revision, I know that every page brings me hundreds of opportunities to make mistakes and to miss important ideas. My files are bursting with notes about beautiful algorithms that have been discovered, but computer science has grown to the point where I cannot hope to be an authority on all the material I wish to cover. Therefore I need extensive feedback from readers before I can finalize the official volumes.

In other words, I think these fascicles will contain a lot of Good Stuff, and I'm excited about the opportunity to present everything I write to whoever wants to read it, but I also expect that beta-testers like you can help me make it Way Better. As usual, I will gratefully pay a reward of $2.56 to the first person who reports anything that is technically, historically, typographically, or politically incorrect.

Charles Dickens usually published his work once a month, sometimes once a week; James Murray tended to finish a 350-page installment about once every 18 months. My goal, God willing, is to produce two 128-page fascicles per year.Most of the fascicles will represent new material destined for Volumes 4 and higher; but sometimes I will be presenting amendments to one or more of the earlier volumes. For example, Volume 4 will need to refer to topics that belong in Volume 3, but weren't invented when Volume 3 first came out. With luck, the entire work will make sense eventually.

Fascicle Number One is about MMIX, the long-promised replacement for MIX. Thirty-seven years have passed since the MIX computer was designed, and computer architecture has been converging during those years towards a rather different style of machine. Therefore I decided in 1990 to replace MIX with a new computer that would contain even less saturated fat than its predecessor.

Exercise 1.3.1-25 in the first three editions of Volume 1 spoke of an extended MIX called MixMaster, which was upward compatible with the old version. But MixMaster itself has long been hopelessly obsolete. It allowed for several gigabytes of memory, but one couldn't even use it with ASCII code to print lowercase letters. And ouch, its standard conventions for calling subroutines were irrevocably based on self-modifying instructions! Decimal arithmetic and self-modifying code were popular in 1962, but they sure have disappeared quickly as machines have gotten bigger and faster. Fortunately the modern RISC architecture has a very appealing structure, so I've had a chance to design a new computer that is not only up to date but also fun.

Many readers are no doubt thinking, "Why does Knuth replace MIX by another machine instead of just sticking to a high-level programming language? Hardly anybody uses assemblers these days." Such people are entitled to their opinions, and they need not bother reading the machine-language parts of my books. But the reasons for machine language that I gave in the preface to Volume 1, written in the early 1960s, remain valid today:

  • One of the principal goals of my books is to show how high-level constructions are actually implemented in machines, not simply to show how they are applied. I explain coroutine linkage, tree structures, random number generation, high-precision arithmetic, radix conversion, packing of data, combinatorial searching, recursion, etc., from the ground up.
  • The programs needed in my books are generally so short that their main points can be grasped easily.
  • People who are more than casually interested in computers should have at least some idea of what the underlying hardware is like. Otherwise the programs they write will be pretty weird.
  • Machine language is necessary in any case, as output of some of the software that I describe.
  • Expressing basic methods like algorithms for sorting and searching in machine language makes it possible to carry out meaningful studies of the effects of cache and RAM size and other hardware characteristics (memory speed, pipelining, multiple issue, lookaside buffers, the size of cache blocks, etc.) when comparing different schemes.

Moreover, if I did use a high-level language, what language should it be? In the 1960s I would probably have chosen Algol W; in the 1970s, I would then have had to rewrite my books using Pascal; in the 1980s, I would surely have changed everything to C; in the 1990s, I would have had to switch to C++ and then probably to Java. In the 2000s, yet another language will no doubt be de rigueur. I cannot afford the time to rewrite my books as languages go in and out of fashion; languages aren't the point of my books, the point is rather what you can do in your favorite language. My books focus on timeless truths.

Therefore I will continue to use English as the high-level language in The Art of Computer Programming, and I shall continue to use a low-level language to indicate how machines actually compute. Readers who only want to see algorithms that are already packaged in a plug-in way, using a trendy language, should buy other people's books.

The good news is that programming for MMIX is pleasant and simple. This fascicle presents

1) a programmer's introduction to the machine (replacing Section 1.3.1 of the third edition of Volume 1);

2) the MMIX assembly language (replacing Section 1.3.2);

3) new material on subroutines, coroutines, and interpretive routines (replacing Sections 1.4.1, 1.4.2, and 1.4.3).

Of course, MIX appears in many places throughout the existing editions of Volumes 1--3, and dozens of programs need to be rewritten for MMIX before the next editions of those volumes are ready. Readers who would like to help with this conversion process are encouraged to join the MMIXmasters, a happy group of volunteers based at mmixmasters.sourceforge.net.

The fourth edition of Volume 1 will not be ready until after Volumes 4 and 5 have been completed; therefore two quite different versions of Sections 1.3.1, 1.3.2, 1.4.1, 1.4.2, and 1.4.3 will coexist for several years. In order to avoid potential confusion, I've temporarily assigned "prime numbers" 1.3.1', 1.3.2',1.4.1', 1.4.2', and 1.4.3' to the new material.

I am extremely grateful to all the people who helped me with the design of MMIX. In particular, John Hennessy and Richard L. Sites deserve special thanks for their active participation and substantial contributions. Thanks also to Vladimir Ivanovic for volunteering to be the MMIX grandmaster/webmaster.

D. E. K.

Stanford, California

May 1999

Most helpful customer reviews

68 of 72 people found the following review helpful.
Reminds me of chess
By W Boudville
Decades ago, when Knuth wrote the first edition of his classic Art of Computer Programming, he invented an assembly language in which to implement the many algorithms of the books. He called it MIX. It was quite representative of the actual assemblers of the time [late 60s]. But time and Moore's Law marched on. The 8 bit nature of MIX grew increasingly outdated.

In response, Knuth gives us here a massively upgraded version, called MMIX. It operates on 64 bit wide data. Yay! Still a classic von Neumann architecture, mind you. But very spiffy. MMIX also has 256 general purpose registers and 32 special purpose registers, where these all are 64 bits wide, naturally. Plus, MMIX lives in an address space of 2**64 bytes of memory.

Unlike the Intel or AMD chips, which are CISC, Knuth opted for a RISC MMIX. So learning the opcodes is very rapid, if you have dealt with assemblers before.

This little text gets you up to speed in MMIX. Consider it as prep for the full volume 4, when that comes out. [Prof. Knuth, it's late.]

But this MMIX book is utterly unlike any other assembler book. It comes replete with programming problems (and answers) of considerable intellectual heft. Conventional assembler books simply don't do this. Their problems tend to be mundane and trivial. This book lets you find surprising conceptual depths hidden under a deceptively simple language. Compare this to chess.

3 of 6 people found the following review helpful.
the books are amazing. Random numbers
By gwavin
Just reading this will make you smarter. You don't need to actually understand it, you just read it and once you get the English bits the greek bits will make some sense.
Seriously, though, the books are amazing. Random numbers. How to make them, and how to test them. That is computers lads, the rest is fluff. And this is the way to know that.
So buy the books, read them, reread them, and implement a few things from them and you will be able to bluff your way through almost every conversation in computer science.
Ideal for a post grad.

0 of 3 people found the following review helpful.
Five Stars
By JR Crombez, Ph.D.
good for math/comp sci people

See all 6 customer reviews...

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