[Z984.Ebook] Free PDF Flight Vehicle Aerodynamics (MIT Press), by Mark Drela

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Flight Vehicle Aerodynamics (MIT Press), by Mark Drela

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This book offers a general overview of the physics, concepts, theories, and models underlying the discipline of aerodynamics. A particular focus is the technique of velocity field representation and modeling via source and vorticity fields and via their sheet, filament, or point-singularity idealizations. These models provide an intuitive feel for aerodynamic flow-field behavior and are the basis of aerodynamic force analysis, drag decomposition, flow interference estimation, and other important applications. The models are applied to both low speed and high speed flows. Viscous flows are also covered, with a focus on understanding boundary layer behavior and its influence on aerodynamic flows. The book covers some topics in depth while offering introductions and summaries of others. Computational methods are indispensable for the practicing aerodynamicist, and the book covers several computational methods in detail, with a focus on vortex lattice and panel methods. The goal is to improve understanding of the physical models that underlie such methods. The book also covers the aerodynamic models that describe the forces and moments on maneuvering aircraft, and provides a good introduction to the concepts and methods used in flight dynamics. It also offers an introduction to unsteady flows and to the subject of wind tunnel measurements. The book is based on the MIT graduate-level course "Flight Vehicle Aerodynamics" and has been developed for use not only in conventional classrooms but also in a massive open online course (or MOOC) offered on the pioneering MOOC platform edX. It will also serve as a valuable reference for professionals in the field. The text assumes that the reader is well versed in basic physics and vector calculus, has had some exposure to basic fluid dynamics and aerodynamics, and is somewhat familiar with aerodynamics and aeronautics terminology.

• Sales Rank: #910806 in Books
• Published on: 2014-02-07
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .63" w x 8.50" l, .0 pounds
• Binding: Paperback
• 304 pages

About the Author
Mark Drela is Terry J. Kohler Professor of Fluid Dynamics in the Department of Aeronautics and Astronautics at MIT.

Most helpful customer reviews

5 of 5 people found the following review helpful.
I love it!
By Mirko
I'm a student in MIT's MOOC in Flight Vehicle Aerodynamics. The book is a good tool to succeed in this course.
Mark Drela is a genius and a very good teacher. This book worth the money and the time spent on it.

5 of 6 people found the following review helpful.
Concise, clear, absolutely relevant.
By mr m g garrish
Ever since writing the XFOIL program for MIT project Daedalus, Mark Drela has rightly gained the reputation as one of the cornerstones of aerodynamics for aircraft design. "Flight Vehicle Aerodynamics" captures his latest efforts to move from 2D vortex panel method to 3D vortex lattice method in the AVL code. By considering aircraft performance during various manouvres this approach is absolutely relevant to aircraft optimisation - even in a world where freeware CFD codes such as Open Foam make serious aerodynamic investigation available to projects on a limited budget. It should be considered an advanced text on the subject, well suited to those with a reasonable mathematical grasp. It is concise, well planned, and full of coloured diagrams to explain the ideas clearly.

If you are serious about understanding aircraft aerodynamics then this is the book for you. It does not go into the depth required to write your own code, but AVL is available on the MIT website. If your needs go beyond this then I would read this book and "Low Speed Aerodynamics" by Joseph Katz & Allen Plotkin. All in all this book sits very well with "Theory of Wing Sections" by Abbott & Doenhoff, "Fundamentals of Aerodynamics" by John D. Anderson Jr, and "Aerodynamics" by Houghton & Carpenter.

So whether you are a keen glider pilot preparing for a master degree in aeronautics, or you just have a craving to understand things at a deeper level, then I can highly recommend this book. Actually both descriptions fit me...

2 of 2 people found the following review helpful.
Very Good Introductory text
By D E Smith
Excellent sent of reorganized class notes & lectures. It's very strong on the basics. Good fundamental starting point for all.

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[I694.Ebook] PDF Download The Idiot: , by Fyodor Dostoyevsky - Illustrated (An Audiobook Free!), by Fyodor Dostoyevsky

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The Idiot (Russian: Идио́т, Idiot) is a novel by the 19th-century Russian author Fyodor Dostoyevsky. It was first published serially in the journal The Russian Messenger in 1868-9. The title is an ironic reference to the central character of the novel, Prince Lyov Nikolaevich Myshkin, a young man whose goodness and open-hearted simplicity lead many of the more worldly characters he encounters to mistakenly assume that he lacks intelligence and insight. In the character of Prince Myshkin, Dostoevsky set himself the task of depicting "the positively good and beautiful man". The novel examines the consequences of placing such a unique individual at the centre of the conflicts, desires, passions and egoism of worldly society, both for the man himself and for those with whom he becomes involved. The result, according to philosopher A.C. Grayling, is "one of the most excoriating, compelling and remarkable books ever written; and without question one of the greatest."

• Sales Rank: #909543 in eBooks
• Published on: 2015-12-30
• Released on: 2015-12-30
• Format: Kindle eBook

From Publishers Weekly
Richard Pevear and Larissa Volokhonsky, justly acclaimed for their translations of such Russian classics as Gogol's Dead Souls and Dostoyevski's The Brothers Karamazov, Crime and Punishment and Notes from Underground, have now undertaken another major Dostoyevski novel, The Idiot. Their trademark style fresh, crisp and faithful to the original (bumps and blemishes included) brings the story of nave, truth-telling Prince Myshkin to new life. As is true of their other translations of Dostoyevski, this will likely be the definitive edition for years to come. Intro. by Pevear.
Copyright 2002 Cahners Business Information, Inc.

Review
Praise for Pevear and Volokhonsky’s translation of Crime and Punishment:

“Reaches as close to Dostoevsky’s Russian as is possible in English. . . . The original’s force and frightening immediacy is captured. . . . The Pevear and Volokhonsky translation will become the standard English version.” –Chicago Tribune

Language Notes
Text: English (translation)
Original Language: Russian

Most helpful customer reviews

231 of 243 people found the following review helpful.
Doestoevsky's Master Work
By Sean O'Neill
What could have prompted me to first read "The Idiot" at age 13 on a beach vacation with my family I can not recall. What I do recall, however, is that I was fully engrossed day after day in a world of ideas, people and places far beyond my experience. Having now just "re-read" it 39 years later (following Crime and Punishment and Brothers Karamazov), I know I couldn't possibly have digested all of its ideas at that age: atheism vs. Christianity; nihilism vs. a dying social order; Eros vs. charity; truth vs. artifice; id vs.ego and superego. And yet, I also sense I know what captivated me even then.

The characters in this novel, though usually explained as symbolic of the ideas they represent, are yet the most vividly realized characters I had ever "read" then, and still. The real-time manner in which they are drawn and followed is as if the author simply recorded their actions and conversations as and where they happened. We get to know who these people are, not through narrative description, but, as if by "candid camera", observing what they say, withhold, do, and fail to do. What emerges are fascinating, at times frightening and at times affectionate portraits of real and troubled humans: Lizaveta, the flighty, but loving society mother; General Epanchin, the successful but utterly conventional man of the house; Aglaya, the childish but delightful beauty who resents her sister's and parents' expectation for her; Ganya, who wants money and love, but plays the wounded martyr while more obviously blaming his father for his failures at both; Ivolgin, the pathetic figure of an aging man who aches for dignity and respect but who's former glory is long gone and mostly imagined; and Lebedev, the likeable sycophant and name-dropper.

The more central characters to the events, the murderously passionate Rogozhin, and the self-scorning beauty Nastasya, are more starkly drawn. But even those portraits are created not through direct thought narration or narrative description, but by the author's leading us to read between and behind the lines of their words, conversations with others, and public "displays".

As for the Prince himself, he is often said to symbolize the human side of a Christ-like man. That, of course, is true; but (as can also be seen in Aloysha, the hero of The Brothers Karamazov), he is as much child-like as he is like a Christ. The Prince's honesty, naiveté, trust, and simple affection for those around him, are all qualities that he seems to maintain as a man because he is really only entering the "adult" world of social Petersburg after a long and sheltered upbringing among younger children in Switzerland. When he enters this tangled world of adult competition, insecurity, envy, ambition and intrigue, though much older, he's in the most essential ways still the child that was sent by his benefactor to Switzerland for help with his illness.

One comes away with the strong impression (reinforced by the portrait of Aloysha, hero of Brothers Karamazov) that Dostoevsky saw children as embodying the ideal of spirit that we strive to maintain or regain as adults. The prince's obvious affection for the loyal young boy Kolya and the compassionate young girl Vera, in this book, and similar bonds between his hero Aloysha and the children in Karamozov Brothers, show Dostoevsky's admiration for the child in man.

The Idiot shows what happens when a simple, trusting and exceptionally compassionate child-man enters the more corrupt world of human adulthood without the experience to navigate, or even to perceive, the traps and snares laid by more worldly humans whose innocence has been chipped or stripped bare by ambition, envy, greed, despair or old age.

On another level, The Idiot is an allegory for the Christ story itself- with Prince Myshkin coming from the Swiss sanatorium into the "the world" of Petersburg with a mission to live among, love and save its people. The complications of heart and mind when his human emotions unexpectedly collide with the more selfish and less willing of those around him are at the center of this story of a second coming re-imagined.

One might be left, at the awfully tragic end of this novel, with the idea that Dostoevsky himself was of the same mind as Ippolit, the suicidal atheist, who his hero befriends of compassion. That is, from the disastrous conclusion, one might think that Dostoevsky believes that Holbein's painting (central to the story) of the disfigured and lifeless body of Christ the corpse, shows the impossibility of a divine spirit in (and after) a wretched human existence. Yet, it is with such affection that he describes the many and contradictory (and often delightful) sides of the "ordinary" people in this story, that I felt the opposite: that is, that Dostoevsky recognized not just in the tragically compassionate Prince, and the young Vera and Kolya, but also in the few and fleeting glimpses of love, friendship, compassion and even real dignity of the fallen or struggling others, that there is a redemptive force that underpins the human experience. If there were any doubt of that after reading this novel, it is laid to rest in the Brothers Karamazov, whose likewise tragic denouement yet ends on a note more obviously reflective of Dostoevsky's ultimate optimism.

Crime and Punishment, a psychological crime story, showed Dostoevsky's incredible genius for "writing" the inside of the human mind. Brothers Karamozov was a morality tale that laid out, on a grand scale, yet in great detail, the most essential questions of good and evil, id and ego, life and after-life. For me, The Idiot did what both of these other great novels did, but was the most captivating of the three, because it was so human, intimate and real in its characters' discourse, actions and exposition. It was much less overt than the Brothers Karamazov, and less psychologically analytical than Crime and Punishment. But of the three, the timeless characters of "The Idiot" last most indelibly in the mind.

54 of 55 people found the following review helpful.
sublimely inaccessible
By Michael Fridman
This is one of the more famous of Dostoyevsky's novels, and quite rightly so as it has his very-unique blend of psychology, philosophy and an unrelenting view of the bleakest recesses of the soul.

I read the novel in the original Russian, so this isn't a review of any particular translation but the work itself.

In brief, the book centres around a Prince who has returned to Russia after being treated for mental illness in Switzerland since his childhood (hence the idiot). He quickly becomes involved within the upper-middle eschellons of St Petersburgian society, as people become fascinated by his direct honesty, simplicity and compassion. He becomes emotionally involved with a Fallen Woman, and this develops into a love triangle with another woman, ultimately ending in --- you guessed it! - tragedy. The Idiot is portrayed as the symbol of a child-like innocence: he genuinely wants everyone to live in harmony and love. However, the falseness, politics and backstabbing of the world of Russian middle-nobility will have none of that.

The plot is quite complicated - but not in terms of twists. The story is quite simple in terms of what happened, however much of it is told inside-out, focusing on the internal world of the characters. So, if you feel like you've missed something - a reason for a character's comment, an event etc, chances are, this will be revealed later on.

Dostoyevsky dwells on the extreme minute aspects of the emotional lives of his charactes. This is the richest aspect of the novel - and these emotions possess all the contradiction and chaos that real people have. There are no total heroes in the book - but I found a part of myself identifying with the Prince, as the grown child who just doesn't want to accept the "adult" behaviour of interpersonal relationships. I think it's expected in reading the book that some characters will be loathed, some found amusing and admired, some arousing interest - but not loved. This is because the world portrayed within the book is very inaccessible. It's hard to identify with anyone in terms of more than the generality of emotion - not just because the setting is remote, but because the characters experience thoughts and ideas that are so different to what most people would. I think this inaccessability was deliberate - as we feel not-quite-at-home in the world of the book, so it highlights how the Prince is not quite at home there - and that's where the sublime feeling is derived from.

On a side note, be prepared for the difficulty of keeping track of names, as people are called by their surnames on certain occasions and the rest is first name and father's name. With heaps of characters and many Russian names, it all becomes a mess. But with some concentration (perhaps making a cast of characters?) that can be overcome and a great read will be had.

A great book that will interact with your emotional world - if you don't mind heavy reading.

60 of 66 people found the following review helpful.
Innocence Lost?
By Nathan Knapp_Voronwë
Having previously read my first Dostoevsky (Crime and Punishment) I was literally chomping at the bit to start reading something else of his. I am not altogether sure as to why I found The Idiot to be the most appealing, it probably wasn't the synopsis, because I, in my ignorance, thought I was buying "The Possessed". I realized this as I pulled away from the book store, but didn't worry about it. Dostoevsky is Dostoevsky, right? Well, sort of. I was shocked when I did not find the anti-hero I expected, but Prince Lev Nikolaevich Myshkin, a pure and beautiful soul who I loved from the start. It was hard not to cheer for him throughout the course of the novel, and to feel his pain at the corrupt and confusing society that surrounded him. He is torn apart by his first love for the intriguing Nastasya Filippovna, and then later Aglaia Ivanovna, equally intriguing.

I'll be the first to admit that though I loved this book I struggled through certain portions of it, namely nearly every scene Lebedev is involved in, and Ippolit's letter. The book has a very 'meandering' quality to it, and you get the feeling at times that Dostoevsky didn't have the slightest clue how he would finish it, and so stalled for time in certain areas. This didn't really diminish the book's quality, it simply made it harder to follow. Also, towards the end it seems as if Dostoevsky finally knows, and he finally hurries off.

But, there is, perhaps, some of the greatest writing ever put on paper within these pages. Scenes such as Prince Myshkin's oratory on capital punishment, the party at Nastasya Fillippovna's, Prince Myshkin in the house of Rogozhin, and the most chilling scene in Rogozhin's bedroom. The beauty, terror, and despair in these scenes are so genuine that it's impossible not to be swept into Dostoevsky's world. So, would I recommend it? Of course, but not to someone unaquainted with Dostoevsky. Crime and Punishment is a much better place to start. But once you're acquainted with Dostoevsky's writings dive into this book, and you'll find yourself longing to help the poor Prince Myshkin, the idiot.

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• Sales Rank: #1466026 in eBooks
• Published on: 2013-07-22
• Released on: 2013-07-22
• Format: Kindle eBook

Most helpful customer reviews

1 of 1 people found the following review helpful.
Good Book but 1 Theologically Questionable Statement
By Amazon Customer
Overall, a pretty good weight loss book. However, there is one statement made in the book that I feel is a real stretch. about mid-way the book, Black writes that being overweight (gluttony) is similar to struggling with drunkeness. Using a portion of 1 Cor 6:10, he states "If a drunkard will not inherit the kingdom of God and gluttons are considered the same as drunkards then a glutton will not inherit the kingdom of God either." I find that really hard to believe. Many of the great preachers through the ages have been overweight. I personally don't believe that God would turn away someone from Heaven who had spread the gospel and won souls to Christ, just because they were overweight.

To be honest, I haven't finished the book , but I'm a little over 75% done. Black has only mentioned this point the one time in those couple of paragraphs, so far. I'm not sure if he truly believes what he wrote, or if he just wrote it for the shock value. In my opinion, he could have left that inference out and had a better book and, at least for me, kept his credibility.

0 of 0 people found the following review helpful.
God, Why Can't I Lose Weight?
By Pamela G. Castillo
This is a great little book. I ordered in on Kindle and am really glad I did. Good insight and easy to follow.

0 of 0 people found the following review helpful.
Five Stars
By Laurie D.
Great author.

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• Sales Rank: #10234822 in Books
• Published on: 2011
• Binding: Paperback
• 125 pages

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This comprehensive text is the first to introduce evocative autoethnography as a methodology and a way of life in the human sciences. Using numerous examples from their work and others, world-renowned scholars Arthur Bochner and Carolyn Ellis, originators of the method, emphasize how to connect intellectually and emotionally to the lives of readers throughout the challenging process of representing lived experiences. Written as the story of a fictional workshop, based on many similar sessions led by the authors, it incorporates group discussions, common questions, and workshop handouts. The book:

• describes the history, development, and purposes of evocative storytelling;
• provides detailed instruction on becoming a story-writer and living a writing life;
• examines fundamental ethical issues, dilemmas, and responsibilities;
  illustrates ways ethnography intersects with autoethnography;
• calls attention to how truth and memory figure into the works and lives of evocative autoethnographers.

• Sales Rank: #1012156 in Books
• Published on: 2016-03-23
• Original language: English
• Number of items: 1
• Dimensions: 8.90" h x .60" w x 5.90" l, .0 pounds
• Binding: Paperback
• 332 pages

About the Author
Arthur P. Bochner is Distinguished University Professor of communication at University of South Florida and one of the leading figures in autoethnography and personal narrative. His most recent book, Coming to Narrative, won best book awards from both the National Communication Association (NCA) Ethnography Division and the International Congress for Qualitative Inquiry. He is coauthor of Understanding Family Communication, coeditor with Carolyn Ellis of two influential edited volumes on interpretive ethnography—Composing Ethnography and Ethnographically Speaking—and coedits the Writing Lives book series. He has authored over 100 refereed articles and book chapters on personal relationships, personal narrative, qualitative methods, and philosophy of communication. Bochner served as president of the National Communication Association in 2008, was elected an NCA Distinguished Scholar, and was honored with the career Legacy Award from the NCA Ethnography Division in 2014. Carolyn Ellis is Distinguished University Professor of communication and sociology at the University of South Florida and one of the leading figures in autoethnography. She was honored with the 2012 Lifetime Achievement Award in Qualitative Inquiry from the International Congress for Qualitative Inquiry (ICQI) and with the career Legacy Award from the National Communication Association (NCA) Ethnography Division in 2013. In 2014, the NCA awarded Ellis and Arthur Bochner the Charles H. Woolbert Research Award for their 2000 chapter, “Autoethnography, Personal Narrative, Reflexivity: Researcher as Subject.” In 2015, she was honored with the title of NCA Distinguished Scholar. Her book The Ethnographic I: A Methodological Novel about Autoethnography is the foundational work on autoethnographic methods. Revision: Autoethnographic Reflections on Life and Work (2008) received both the Cooley Award of the Society for the Study of Symbolic Interaction and the outstanding book award from ICQI. Equally well known are her groundbreaking autoethnographic studies Fisher Folk and Final Negotiations. Her current autoethnographic work is with holocaust survivors.

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0 of 1 people found the following review helpful.
It is an amazing book!
By Degan Michelle Loren
Read this. It is an amazing book!

0 of 2 people found the following review helpful.
Amazeballs❤️
By Amazon Customer
This book like previous books by Carolyn & Arthur is amazeballs‼️❤️ JoFI xo

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Communication and the Natural World explores the many ways in which our communication about the natural world profoundly affects how we perceive and interact with it. It discusses the complex and dramatic environmental issues that pervade our relationship with nature today. And it shows, clearly and vividly, how cultural, philosophical, commercial, mass-mediated, and popular discourse shape and are shaped by our responses to those issues.

• Sales Rank: #711461 in Books
• Brand: Brand: Strata Pub Co
• Published on: 2010-05-07
• Original language: English
• Dimensions: 9.75" h x 7.00" w x .75" l, 1.25 pounds
• Binding: Paperback
• 302 pages

Features

• Major environmental issues and problems summarized clearly and engagingly
• Philosophical perspectives, movements, and controversies explained and illustrated
• Environmental rhetoric in everyday life, from popular culture and green marketing to media coverage and political discourse, explored and illustrated
• Citizen activism and public decisions discussed in their social, political, legal, and practical frameworks
• Communication concepts and forms emphasized throughout

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0 of 2 people found the following review helpful.
Required for college
By Sarah Jackson
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A 'kingdom' is a group of people ruled by one person, the 'king', who makes all the laws himself without their votes or approval. The concept is anathema to contemporary democracy and its confidence in government by the people, the naive assumption that majorities will always get it right. History does not encourage optimism. There have been more bad kings than good, even in God's chosen people Israel. Behind our world's problems, which baffle our finest politicians and philosophers, lies a fundamental, racial and fatal error of having chosen the wrong king. Born into his kingdom, he has deceived us into thinking we can each of us be our own kingdom, inevitably clashing with each other, as individuals or nations. The only solution is to find the right king and become his loyal citizens. One day all other kingdoms will be shaken to pieces but this will remain, for ever. Only then will the conflict, in which every one of us is involved, be resolved.

• Sales Rank: #1743918 in Books
• Published on: 2015-03-22
• Original language: English
• Number of items: 1
• Dimensions: 7.99" h x .30" w x 5.24" l, .33 pounds
• Binding: Paperback
• 138 pages

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0 of 0 people found the following review helpful.
A very astute and timely book.
By Silvy
This is a very inspiring and challenging book and extremely timely with current world events unfolding all around us. David Pawson has studied The Bible at depth for most of his 85 years producing in him a fluent, affective teaching of scriptural truth. Thank you David for this latest biblical offering of the truth that sets us free.

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