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A Modern Cellist'S Manual: Technique, Approach And Musings, by Emily Wright

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A very different sort of cello method, A Modern Cellist's Manual combines technical information and plenty of photographs with advice on approach. Topics addressed range from the basics of a painless bow grip to injury avoidance, working with a metronome, and tenor clef. Emily's tone and sense of humor lighten the mood of any practice session. A Modern Cellist's Manual is suitable for those taking private lessons as well as returning cellists looking to bolster rusty technique.

• Sales Rank: #820611 in Books
• Published on: 2010-07-28
• Original language: English
• Dimensions: 11.00" h x .13" w x 8.50" l,
• Binding: Paperback
• 54 pages

Most helpful customer reviews

11 of 11 people found the following review helpful.
A wonderful companion for adult learners
By Marianne Tveitan
"A modern cellist's manual" is a wonderfully fun introduction to the start of the long journey that is learning how to play the cello. As a beginner, I found the many pictures illustrating different aspects of technique, along with explanations of the dos and don'ts, very enlightening. The exercises have been chosen well to underline the main points in the text, and the little tips are indeed very helpful little things. The book is well written, funny and engaging.

I very much recommend this book to other adult beginners, as a supplement to taking lessons with a qualified teacher. Chances are that your teacher will have another approach, but using this manual as an in-between-lessons lesson in itself makes understanding the process a lot easier.

6 of 6 people found the following review helpful.
This book should come with your cello, but if it doesn't buy it yourself.
By Amazon Customer
Emily has not only written a helpful cello manual but also created a companion to sit down with you when you play. What sets this book apart is the personal touch she brings to every page. She starts the book with an introduction saying "I was once a bad student, too". The theme of compassion with the student (while maintaining high standards of quality) runs throughout the book. One good example is the "Emily Recommends" section at the end of some chapters for those moments when inspiration is flagging.

3 of 3 people found the following review helpful.
Reassuring.
By Amazon Customer
The photos are excellent. And Emily offers encouragement for adult cello students who are having a crisis of faith. I finally took the tapes off my fingerboard that showed me where the notes were in first position. She reminds you of the basics, and she warns you of the dangers of persisting with bad habits. Best part: the exhortation to NOT QUIT. I only wish the book was longer. There is more subject matter to cover in later editions.

See all 10 customer reviews...

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[X941.Ebook] Free Ebook The Texts of Early Greek Philosophy, 2-Volume Set: The Complete Fragments and Selected Testimonies of the Major Presocratics: The Texts of

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This two-part sourcebook gives the reader easy access to the language and thought of the Presocratic thinkers, making it possible either to read the texts continuously or to study them one by one along with commentary. It contains the complete fragments and a generous selection of testimonies for twenty major Presocratic thinkers including cosmologists, ontologists, and sophists, setting translations opposite Greek and Latin texts on facing pages to allow easy comparison. The texts are grouped in chapters by author in a mainly chronological order, each preceded by a brief introduction and an up-to-date bibliography, and followed by a brief commentary. Significant variant readings are noted. This edition contains new fragments and testimonies not included in the authoritative but now outdated Fragmente der Vorsokratiker. It is the first and only complete bilingual edition of the works of the Presocratic philosophers for English-speakers.

• Sales Rank: #1318664 in Books
• Published on: 2010-10-18
• Original language: English
• Number of items: 2
• Dimensions: 8.98" h x 2.44" w x 5.98" l, 3.80 pounds
• Binding: Hardcover
• 1168 pages

Review
'The two-volume Texts of Early Greek Philosophy ... edited and presented by Daniel W. Graham, are a monumental but accessible feat. Here, in a finely printed and bilingual version, are the hours of morning in Western thought. Once Parmenides equated thought and being, the long journey had begun.' George Steiner, The Times Literary Supplement

About the Author
Daniel W. Graham is A. O. Smoot Professor of Philosophy at Brigham Young University. He is the author of Aristotle's Two Systems (1987); editor of the collected papers on ancient philosophy of Gregory Vlastos, Studies in Greek Philosophy (2 vols., 1995); translator-commentator of Aristotle: Physics, Book VIII (1999); co-editor with Victor Caston of a Festschrift for his mentor: Presocratic Philosophy: Essays in Honour of Alexander Mourelatos (2002); author of Explaining the Cosmos: the Ionian Tradition of Scientific Philosophy (2006); and co-editor with Patricia Curd of The Oxford Handbook of Presocratic Philosophy (2008).

Most helpful customer reviews

25 of 27 people found the following review helpful.
BRILLIANT!
By Ex absurdo contradictorio
I am an undergraduate philosophy major, and I saw this book when it was available for pre-order on Amazon. There have only been a couple of times when I wanted a book so badly, which shows since there have only been three books I've been glad to spend a lot of money on (this one, Plato's complete works, and a very extensive book on Spinoza). Graham delivers what he promises with a well organized and full account of Pre-Socratic philosophy in Greek, Latin, and English, along with commentary. This is one of my favorite books out of the hundreds of philosophy texts I have spent my money on. The only downside is the price. If you are really, really interested in philosophy before Socrates, willing to spend over $90 for a book, and you are as bonkerishly crazy as Thales like I am, then buy this! Trust me, it will put a big smile on your face.

10 of 10 people found the following review helpful.
Fantastic!
By Amazon Customer
I can't find a single thing bad to say about this - if you are a serious student of philosophy, then you must get this work. I am sure it will be the standard source for all things pre-Socratic for years to come. Having the Greek text makes this better than other collections, which are usually just translations. Besides having readable English renderings, there are also extensive commentaries on each philosopher as well as great introductions. Best money I've spent in a while...

3 of 3 people found the following review helpful.
A Treasure
By Ovidius
Based on earlier positive reviews I splurged on this and am glad I did as it's a wonderful book: Clean design, beautiful layout, easy to read, erudite introduction to the work and to each individual thinker, and having the original and the translation side by side makes it easy to compare the two.

Each volume provides the testimonies (ancient sources on the writer's life or philosophy) and fragments, volume 1 for the Presocratics, volume 2 for the Sophists. The fragments are provided in their context and the quotation itself is distinguished from the context by bold font.

After each thinker's fragments, there is some scholarly commentary on the most important interpretive points as well as references for further research. It seems Graham tried to be very faithful to the originals and he relies on careful philology, so some of his translations may be a little surprising compared to the more standard ones (for example, his "A nature is hidden" instead of the usual "Nature loves to hide").

He also provides a new ordering of the fragments in place of the Diels-Kranz edition, but they flow very well and are enlightening in his ordering (and there is a concordance with DK at the end of part 2).

Of course one may also want to look at other translations and at monographs, but this is an ideal place to start both for the translations and for Graham's commentary

A monumental and valuable achievement.

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Batman: Arkham Universe: The Ultimate Visual Guide details the key storylines, characters, locations, weapons, gadgets, and equipment of these award-winning, action-adventure games. The book is created in collaboration with Warner Bros. Interactive Entertainment and RockSteady (the game's creators), and features many of the timeless characters from DC's Batman comics, such as the Joker, Catwoman, Robin, the Penguin, Harley Quinn, and the Riddler.

Copyright © 2015 DC Comics. BATMAN and all related characters and elements are trademarks of and © DC Comics.

WB SHIELD: TM & © Warner Bros. Entertainment Inc. (s15)

• Sales Rank: #307157 in Books
• Published on: 2015-08-04
• Released on: 2015-08-04
• Original language: English
• Number of items: 1
• Dimensions: 12.13" h x .84" w x 10.13" l, 3.00 pounds
• Binding: Hardcover
• 200 pages

Review

"This book rises to the standard created in the game." — GeekDad

About the Author
Matthew K. Manning has written numerous comics for a variety of publishers, including Marvel and DC. His work has appeared in the pages of The Batman Strikes!, Legion of Super-Heroes in the 31st Century and Spider-Man Unlimited. For DK, he has contributed to many books on comic book Super Heroes, including DC Comics: A Visual History, DC Comics: Year by Year and most recently Batman: A Visual History.

Most helpful customer reviews

8 of 8 people found the following review helpful.
Adequate, but Certainly NOT "Ultimate"
By Amazon Customer
I've been a big fan of the 'Batman: Arkham' games since 'Asylum' was first released in 2009, and have followed the story of the series very closely. I was looking forward to this book, hoping it would give me some insight into the world of the games that I could not glean simply from playing them multiple times. Alas, I was disappointed. As another reviewer has already noted, the book is filled with low-quality in-game pictures and promo art, and limits itself to briefly summarizing the stories of the four games, hitting all the main points but not elaborating on anything interesting. The book features little to none of the amazing concept art for the games, and fails to reveal anything that anyone who has played the games doesn't already know. For example, both 'City' and 'Knight' feature short stories, unlocked by solving the Riddler's riddles, that give background information about the characters, the world, and the story of the games; very little of these stories make into into the Guide.

It is also important to note that the Guide totally avoids major spoilers from 'Knight', including the true identity of the Arkham Knight himself, and the final fate of Batman and other major characters. This just doesn't make any sense to me. Not only has 'Knight' been released long enough for many people to have played it and for major spoilers from the game to circulate, but I feel that anyone willing to buy this book should be expecting major spoilers. It is, after all, called the 'Ultimate Visual Guide'; the definition of "ultimate" is "final, total". How can it be final or total if it's missing important information from the final game in the series?

This last point may simply be my opinion, but one of the biggest flaws of the Guide is that it fails to acknowledge the source material. The 'Arkhamverse', as it is sometimes called, is not based on any one particular Batman comic storyline, but on the Batman mythos as a whole, much like the original, critically-acclaimed animated series from the '90s. The Guide, however, does not acknowledge any influence from the comics or movies or animated series. Instead, it treats the Arkhamverse as a totally self-contained universe. This is most apparent in a series of pages showing off the various batsuits that are available in the games; the description for each suit treats said it as though it actually exists in the world of the game, and that there's a story-based reason for its existence. Anyone who has played the games knows this is simply not true. The suits are there simply to allow the player to change Batman's appearance to match their particular favorite incarnations. While this isn't necessarily a bad thing, I feel that the book could have been better if it would have acknowledged the influence of the comics, the movies, and the animated series that inspired this particular take on Batman. For example, 'Asylum' was heavily inspired by Grant Morrison's 1989 graphic novel, 'Arkham Asylum: A Serious House on a Serious Earth'; 'City' was inspired by the 'No Man's Land' storyline; Mr. Freeze's origin story in 'Origins' is exactly the same as in the original animated series episode 'Heart of Ice'; the armored batsuit looks remarkably similar to the one from Christopher Nolan's 'Dark Knight' trilogy. By acknowledging these influences, the book could pay homage to the character's 75-year history, and open up whole new worlds for fans to explore. I feel this was a missed opportunity.

In the end, the book manages to be satisfactory, if only barely. I would have rated it higher if it had better imagery and featured everything from the games, including background stories and major spoilers. As it is, it's certainly not the "ultimate" anything. I'd recommend it only to hardcore Batman fans or fans of the games who aren't expecting too much.

3 of 4 people found the following review helpful.
~Another very satisfying way to enjoy The Dark Knight~
By ©~K.I.S.S`E.S.S~don't lie~©
Now what are you doing here right now? Huh?! Oh, you haven't decided to purchase this yet? Alright, I'll give you a pass this time, just don't let it happen again, ya hear? ;`)

With the release of Arkham Knight, Warner Bros, DC, and Rocksteady Studios have put on us Batman overload, and yet I still want more! I seriously doubt I need to say much to convince you to buy this, but if you are somehow straddling the fence, I will hit a few points to hopefully make you salivate without giving much away.

With the foreword by Kevin Conroy, that alone makes it clear the importance of this book. A very nice touch to the book is the time line provided from Asylum to the Knight, so a concerted effort has been made to leave no stone unturned. All of the Batsuits are listed for each game, with perhaps one that has not been announced. Long time readers of the comic books may recognize it, but its colorful nature was very new to me.

All of your major players are given 2 pages of examination, with images & text so there's plenty to enjoy of the villains. Henchmen get brief explanations, but it doesn't necessarily leave their roles feeling scarce. The Batmobile gets the treatment of love it so richly deserves, taking up just as many reading pages as Bruce Wayne/Batman himself. Even his gadgets get broken down!

As for the book itself, the binding is very tight and while nowhere near the size of The Art of Rocksteady, it is still substantial in its weight, considering the slim nature of it. So to answer the reason you're reading this: indeed, you should get this. Only in a few places did the text seem a little small, but once you get into it, you'll forget all about that. If you find yourself squinting to a paragraph or two like me, just use your Cryptographic Sequencer to decode it. If Batman juuuuust so happens, to leave it nearby.

No diggity, no doubt.

1 of 1 people found the following review helpful.
... is filled with tons of information and is a sweet book for any batman fan
By mike cunningham
The book is filled with tons of information and is a sweet book for any batman fan, but there are a few issues I have with this book. For one several of the pictures are terrible ingame pictures with horrible quality. I find it hard to believe they couldn't contact WB or rocksteady for better photos. Secondly I feel there could be a lot more detail about the story of the series. It seems they gave a brief synopsis of each game. Overall it's a great book for characters of the game series I just feel it didn't add anything I didn't already know.

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Balletic homicide on the duelling field; stabbing and wrestling in tavern brawls; deceits and brutalities in street affrays; mounted encounters by armoured knights locked in desperate hand-to-hand combat - these were the martial arts of Renaissance Europe. In this book Sydney Anglo, a leading historian of the Renaissance and its symbolism, provides the first complete study of the martial arts from the late fifteenth to the late seventeenth centuries. The twentieth century has been captivated by oriental martial arts and their roots within Eastern societies. Yet the West too, as Anglo shows, developed its own styles of ritualised combat, similarly linked to contemporary social and scientific concerns. During the Renaissance physical exercise was regarded as central to the education of knights and gentlemen. Soldiers wielded a variety of weapons on the battlefield, and it was normal for civilians to carry swords and know how to use them. In schools across the continent, professional masters-of-arms were the artists who taught the lethal skills necessary to survive in a society where violence was endemic and life cheap. These ancient masters-of-arms, anxious to advertise their skills

• Sales Rank: #1024261 in Books
• Color: White
• Published on: 2000-08-11
• Original language: English
• Number of items: 1
• Dimensions: 1.23" h x 7.88" w x 10.45" l, 3.40 pounds
• Binding: Hardcover
• 396 pages

Review
"Fascinating." -- Globe and Mail

From the Inside Flap
Mounted encounters by armored knights locked in desperate hand-to- hand combat, stabbing and wrestling in tavern brawls, deceits and brutalities in street affrays, balletic homicide on the dueling field-these were the martial arts of Renaissance Europe. In this extensively illustrated book Sydney Anglo, a leading historian of the Renaissance and its symbolism, provides the first complete study of the martial arts from the late fifteenth to the late seventeenth century. He explains the significance of martial arts in Renaissance education and everyday life and offers a full account of the social implications of one-to-one combat training.Like the martial arts of Eastern societies, ritualized combat in the West was linked to contemporary social and scientific concerns, Anglo shows. During the Renaissance, physical exercise was regarded as central to the education of knights and gentlemen. Soldiers wielded a variety of weapons on the battlefield, and it was normal for civilians to carry swords and know how to use them. In schools across the continent, professional masters-of-arms taught the skills necessary to survive in a society where violence was endemic and life cheap. Anglo draws on a wealth of evidence-from detailed treatises and sketches by jobbing artists to magnificent images by Dürer and Cranach and descriptions of real combat, weapons and armor-to reconstruct and illustrate the arts taught by these ancient masters-at-arms.

About the Author
Sydney Anglo is Professor Emeritus, Department of History, University of Wales, and was Chairman of the Society for Renaissance Studies 1986-89. His publications includeThe Great Tournament Roll of Westminster; (Clarendon Press, 1968), and Spectacle, Pageantry, and Early Tudor Policy (Oxford-Warburg
Studies 1969, new edition 1997), and The Martial Arts of Renaissance Europe (Yale, 2000 - see sales figures). He is a leading authority in the field of Renaissance studies.

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32 of 32 people found the following review helpful.
A profound and valuable contribution
By Christoph Amberger
Eagerly awaited by historic combat enhusiasts of all persuasions for two years, the pre-release buzz surrounding this work -- characterized by expectant suspense on the one hand and tacky name dropping and tail-wagging subservience on the other -- has turned out not only to be warranted but justified.
Sydney Anglo plunges the reader into a hidden world of combat activity whose presentation has no equal by virtue of its sheer scope and erudite analysis. Lavish illustrations taken from some of the most popular and some of the rarest fighting manuals of renaissance Europe combine with carefully documented and annotated critical commentary to produce a work unparalleled in the field.
The thorough academic approach, combined with Anglo's intelligent and at times humorous personal style, is providing a backbone of respectability and credibility to a subject matter that frequently does its darndest to self-implode any claims to being taken seriously by overvaluing the emotionally affirmative needs of some modern practitioners.
Of course, this book is no How-to-Manual. It does not contain detailed analysis of individual techniqes. Nor does it quite answer the question in which specific combative scenarios the arts summarized under the modern Anglo-American pop culture handle "Martial Arts" were applied. (This particular aspect of mainly legal and extra-legal history might make for a book in itself.)
But that's not the point.
Short on brawn and long on brains, Anglo introduces us to the very core of these arts... the masters themselves... the way they thought... the methods they (and their graphic artists) employed to transmit complex ideas and sophisticated systems of ethics, philosophy, and physical skill to students, patrons, readers, and of course to us.
What makes this book relevant not only to the enthusiast of medieval and renaissane arts, but to the entire Western martial arts community: Anglo foregoes the pat shoe-boxing usually associated with focus on a partiular period. His work doesn't leave the reader stranded in an era that is hermetically sealed off from the modern period:
While rightfully emphasizing the differences between modern sport and ancient art, Anglo provides tantalizing glimpses of continuities... manifest in the literary traditions of individual systems that track the influence of a particular work -- through its reprints, translations and plagiarisms -- from the Renaissance far into the modern period.
One of the Great Books of combative history!

7 of 7 people found the following review helpful.
Essential Reading
By Justin Gifford
Anglo's groundbreaking work is definitely one of the most influential treatises on Renaissance combat ever written. Seldom does an author write so in depth and cover so much material.
Martial Arts of Renaissance Europe is fascinating from the first page; Anglo pens right toward the meat of the topic. Rather than reiterating what other authors have said and said again, Anglo only briefly mentions those sources widely available or quoted, instead preferring to bring light to those relatively unknown sources with which few are familiar, but which deserve much more acclaim. This book is not a light read by any standards; it should keep the most erudite of scholars busy for days. The further one reads into this book, the more one realizes he didn't know.
Anglo makes every effort to cram information into every page, but does so with the witty flair of a seasoned writer who knows how to keep his audience interested. He provides ample photographs, scans, copies, and illustrations to underscore his study of Renaissance fighting, but does not drown the reader in unnecessary artwork. He covers more facets of Renaissance martial arts than most other authors even mention, from the methods of instruction to the evolution of combat. Affording a separate chapter to each style of personal defense - swordsmanship, barefisted brawling, polearm use, and the like - Anglo opens up a door to history that has never been opened before, and many anxious scholars are graciously pouring through.
As he points out himself, the history of Renaissance martial arts is one that is very much neglected, both by historians and by martial artists. Historians generally shy away from warfare and fighting, and, apart from mentioning the outcome of a few major battles, barely acknowledge the existence of violence. Many martial artists tend to focus on technique, without much regard for history. Anglo has broken the barrier, and gave those scholars - both martial and historical - who crave to know a means through which to do it.
Overall, this book is excellent. It is a unique and thorough view of the Renaissance that has yet to be matched. Martial Arts of Renaissance Europebelongs in the library of martial artists of Western and Eastern heritages alike: required reading for any fan of martial history.

12 of 12 people found the following review helpful.
A must for serious European martial artists
By Stephen Shellenbean
One of the greatest problems facing modern enthusiasts of our European martial history is the availability (or lack there of) of scholarly study from the viewpoint of the period in which these arts were practiced. Too often they are approached from a standpoint of their applications in sport fencing or stage combat. Anglo has tried very hard to separate himself from these ties and look at the arts from their position in history, and while he occasionally falls shy, in most instances he succeeds remarkably well.
As a practitioner of medieval combat I was pleased to see many of the theories and postulations many of us have espoused borne out and explained in a scholarly text. The case Anglo makes for a systematic basis for training well before the Renaissance is well stated and helps to legitimize the work reenactors are performing today. As others have stated, this is not a "how to" manual, but is rather an indispensable tool to assist in researching masters and understanding the environment in which these skills were used. I have informed all my students and friends in the field that this book needs to be in their collection. I am certain I will reference it many times in the future.

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• Sales Rank: #5798077 in Books
• Published on: 1996-12-17
• Binding: Paperback

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Twenty hand-drawn mazes featuring scenes of San Francisco for children and adults alike.

• Sales Rank: #7372787 in Books
• Brand: Brand: CreateSpace Independent Publishing Platform
• Published on: 2012-05-09
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .12" w x 8.00" l, .27 pounds
• Binding: Paperback
• 50 pages

Features

• Used Book in Good Condition

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original gifts from san francisco
By lolo
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0 of 0 people found the following review helpful.
Sense of style and humor - great book!
By Elina Razd
This is pretty amazing book, all hand-drawn and cover all major San Francisco attractions including Brown Twins! Done with sense of style and humor, it also includes a short historic summary for each page. Really, truly unique book .. i usually buy few for presents to my out-of town guests.

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• Published on: 2012-10-31
• Original language: English
• Dimensions: 10.55" h x .59" w x 7.80" l, 1.64 pounds
• Binding: Paperback
• 240 pages

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